Editors Reads

Best Literary Fiction Books

777 expert-reviewed books — page 22 of 33

Eva Luna book cover

Eva Luna

by Isabel Allende

4.2

Eva Luna, an illegitimate child who grew up among eccentric employers, becomes a storyteller and eventually a writer of telenovelas, navigating a South American country's political violence and social upheaval. Allende's most playful novel — a celebration of the female storyteller whose power resides entirely in her ability to invent.

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Foucault's Pendulum book cover

Foucault's Pendulum

by Umberto Eco

4.2

Three editors at a Milan publishing house, bored with the occult manuscripts they process, invent an elaborate conspiracy theory connecting the Knights Templar to every secret society in history — only to find their fiction taking on a terrifying life of its own.

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Howards End book cover

Howards End

by E.M. Forster

4.2

Three families — the cultivated Schlegels, the commercial Wilcoxes, and the struggling Basts — collide and connect in Edwardian England around the meaning of a country house and the possibilities of human connection.

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I Am Not Sidney Poitier book cover

I Am Not Sidney Poitier

by Percival Everett

4.2

Not Sidney Poitier — named at birth for the actor by his eccentric mother — grows up in the care of Ted Turner after inheriting a fortune, and survives a series of misadventures that mirror famous Sidney Poitier films, encountering racism, absurdity, and a world that insists on seeing him as someone else.

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Immortality book cover

Immortality

by Milan Kundera

4.2

Beginning with a woman's gesture in a swimming pool — a wave that contains an entire personality — Kundera meditates on the desire for immortality, the nature of fame, and the difference between the person and their image. Characters from the present alternate with Goethe and Bettina von Arnim from the nineteenth century, and the narrator himself appears as a character.

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In Persuasion Nation book cover

In Persuasion Nation

by George Saunders

4.2

Stories including 'I CAN SPEAK!™' and 'Jon' take Saunders's corporate satire to its extreme: fiction that uses the language and logic of advertising to anatomise what advertising has done to human interiority. The most formally experimental of his collections.

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Instructions for a Heatwave book cover

Instructions for a Heatwave

by Maggie O'Farrell

4.2

During the sweltering London summer of 1976, Robert Riordan walks out to buy a newspaper and disappears — prompting his wife and three adult children to converge on the family home and confront the secrets they have all been keeping.

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Invitation to a Beheading book cover

Invitation to a Beheading

by Vladimir Nabokov

4.2

Cincinnatus C. is condemned to death for 'gnostical turpitude' — the crime of being opaque in a world where everyone is transparent. A surreal novel of imprisonment and execution that is also a meditation on consciousness, totalitarianism, and the artist's isolation.

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Ithaca book cover

Ithaca

by Claire North

4.2

The goddess Hera narrates the years Penelope spent waiting in Ithaca for Odysseus's return, watching a queen manage suitors, politics, and survival with fierce intelligence while the world assumes she is merely waiting.

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Just Above My Head book cover

Just Above My Head

by James Baldwin

4.2

Baldwin's final novel follows gospel singer Arthur Montana through the civil rights era as narrated by his brother Hall, years after Arthur's death. It is Baldwin's most ambitious attempt to hold the full weight of Black American life — religion, sexuality, music, family, political violence — in a single narrative, and the most direct summation of everything he had written before it.

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Lady Chatterley's Lover book cover

Lady Chatterley's Lover

by D.H. Lawrence

4.2

Constance Chatterley, married to a paralysed, emotionally remote aristocrat, begins an affair with Mellors, the estate's gamekeeper. Lawrence's most notorious novel was banned for obscenity in Britain until 1960, but beneath the explicit content is a serious argument about industrialism, class, and the body's need for genuine tenderness.

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Mao II book cover

Mao II

by Don DeLillo

4.2

Bill Gray, a reclusive novelist who has not published in decades, is drawn into a situation involving a poet held hostage by a terrorist group in Beirut. DeLillo's meditation on the relationship between writers and terrorists — both of whom claim the power to change how people see the world — is his most concentrated statement of his themes: the crowd, the image, the person who withdraws from visibility and the person who seeks it at any cost.

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Meridian book cover

Meridian

by Alice Walker

4.2

Meridian Hill, a young Black woman from Georgia, gives up her child and her education to join the civil rights movement, and spends years questioning whether violence is ever justified in the service of justice. Walker's most politically direct novel — a nonlinear account of the movement and its costs.

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Moon Palace book cover

Moon Palace

by Paul Auster

4.2

Marco Stanley Fogg arrives at Columbia University in 1965 as an orphan with a modest inheritance, spends it all on books, comes close to starvation, and is gradually drawn into a series of coincidences that reveal his family history across two more generations of lost and wandering American men.

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Nora Webster book cover

Nora Webster

by Colm Tóibín

4.2

Nora Webster, recently widowed in a small Irish town at the end of the 1960s, rebuilds her life. Not dramatically, not quickly — she takes a clerical job, joins a choral society, gradually reclaims the person she was before her marriage subsumed her.

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O Pioneers! book cover

O Pioneers!

by Willa Cather

4.2

Alexandra Bergson inherits her immigrant father's Nebraska farm and builds it into a prosperous enterprise over decades, while the land itself becomes the novel's most enduring presence.

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Other Voices, Other Rooms book cover
4.2

Thirteen-year-old Joel Harrison Knox travels to a decaying Louisiana mansion to find the father he has never met, and discovers instead a world of eccentrics, decay, and his own nascent desires. Capote's debut is the definitive Southern Gothic coming-of-age novel.

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Pattern Recognition book cover

Pattern Recognition

by William Gibson

4.2

Cayce Pollard, a coolhunter with a pathological sensitivity to corporate branding, is hired to trace the source of mysterious film footage appearing anonymously online — footage that obsesses millions of people worldwide.

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Point Counter Point book cover

Point Counter Point

by Aldous Huxley

4.2

A roman à clef of London intellectual and artistic life in the 1920s, following dozens of characters through parties and arguments and affairs, structured like a fugue in prose with multiple themes developed simultaneously.

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Sabbath's Theater book cover

Sabbath's Theater

by Philip Roth

4.2

Mickey Sabbath is 64, a former puppeteer, recently fired, grieving his mistress of thirteen years who has died of cancer. He is considering suicide. The novel is his furious, obscene, grief-saturated attempt to make sense of a life spent in obsessive pursuit of women and pleasure — and the losses that have accumulated.

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Sea of Tranquility book cover

Sea of Tranquility

by Emily St. John Mandel

4.2

A time-travel investigator in the twenty-fifth century investigates an anomaly that appears across centuries: 1912 British Columbia, 2020 New York, 2203 on the moon. Mandel's most formally ambitious novel braids pandemic themes with time-travel structure into a meditation on art, simulation, and what human beings owe each other across time.

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So Much for That book cover

So Much for That

by Lionel Shriver

4.2

Shep Knacker has saved his whole life for an early retirement in a developing country — until his wife Glynis is diagnosed with a rare and ruinously expensive cancer. A devastating examination of the American healthcare system through the lives of ordinary people it destroys.

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Strangers on a Train book cover

Strangers on a Train

by Patricia Highsmith

4.2

Two strangers meet on a train: Guy Haines, an architect trying to escape his unhappy marriage, and Charles Bruno, a wealthy charming sociopath. Bruno proposes a perfect crime — they will swap murders, each killing the other's problem person. Guy refuses, but Bruno kills his wife anyway, then demands Guy complete the bargain. Highsmith's debut novel and the template for her entire career: the complicity between the guilty and the innocent, the creeping contamination of violence.

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