I'm Glad My Mom Died by Jennette McCurdy — book cover
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I'm Glad My Mom Died

by Jennette McCurdy · Simon & Schuster · 320 pages ·

4.7
Editors Reads Rating

Former child actress Jennette McCurdy's unflinching memoir about her mother's emotional abuse, the exploitation of the child acting industry, and her path to recovery from eating disorders and trauma.

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Editors Reads Verdict

One of the most remarkable memoirs of the decade — Jennette McCurdy writes about childhood abuse, eating disorders, and exploitation with a clarity and dark humor that transforms devastating material into something that reads as simultaneously harrowing and cathartic.

4.7
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What We Loved

  • McCurdy's writing voice is extraordinary — specific, funny, and utterly without self-pity
  • The refusal to soften or excuse her mother's behavior is the book's defining courage
  • The dark comedy that runs through even the most painful sections is perfectly calibrated
  • The memoir does genuine cultural work in exposing child acting industry abuses

Minor Drawbacks

  • The content is genuinely difficult — readers should be prepared for detailed eating disorder description
  • Readers who loved iCarly may find the memoir's revelations disorienting
  • The ending provides resolution but not complete redemption narratives

Key Takeaways

  • Emotional abuse is no less damaging for being invisible and deniable
  • Recovery requires the willingness to see clearly what you were taught to protect
  • The child acting industry has systemic exploitation problems that serve adult interests over children's
  • Grief can coexist with relief — and the relief does not erase the grief
  • Writing about pain is not the same as being defined by it
Book details for I'm Glad My Mom Died
Author Jennette McCurdy
Publisher Simon & Schuster
Pages 320
Published August 9, 2022
Language English
Genre Memoir, Biography, Celebrity Memoir
Difficulty Beginner
Best For Readers interested in celebrity memoir with genuine literary quality, and anyone who has experienced family enmeshment, eating disorders, or the specific abuses of the entertainment industry.

The Title That Says Everything and Nothing

The title of Jennette McCurdy’s memoir is the first indication of the kind of writing to expect: honest to the point of social transgression, specific where convention demands vagueness, and darkly funny in a way that makes the reader laugh while knowing they shouldn’t. McCurdy is glad her mother died. She is also devastated that her mother died. Both things are true, and the book holds them both without resolving the tension into something more comfortable.

McCurdy was a fixture of Nickelodeon programming for over a decade, most prominently as Sam Puckett on iCarly. Her memoir is not primarily a Hollywood tell-all — it is an account of growing up with a mother whose emotional needs were so enormous that they consumed her daughter entirely. Debra McCurdy pushed her daughter into acting at six years old to serve her own ambition, managed every aspect of her career and personal life, encouraged an eating disorder as a way to keep Jennette small and childlike and dependent, and demanded a form of total emotional intimacy that constituted abuse regardless of intention.

The Voice

McCurdy writes with a dark, specific humor that is the book’s most remarkable quality. She uses humor not to minimize what happened but to describe it with the precision that only becomes possible at some distance — and sometimes to make the absurdity of her mother’s behavior legible in ways that straight description cannot achieve.

The chapters about her mother are written with a love and a clarity that coexist without canceling each other. McCurdy loved her mother. Her mother harmed her. Both things are completely true, and the book’s refusal to resolve this into simple narrative of either victimhood or family-romance is what gives it its genuine literary weight.

The Industry Indictment

The sections of the memoir dealing with Nickelodeon — particularly the unnamed network executive McCurdy refers to only as “The Creator” — constitute a genuine indictment of a system that profited from children while systematically failing to protect them. These sections are careful and specific in their accusations without descending into score-settling.

Recovery and Writing

The final sections of the memoir describe McCurdy’s withdrawal from acting and her discovery of writing and directing as the creative forms that actually suit her. The memoir itself is the strongest evidence for how thoroughly that transition has worked.

Our rating: 4.7/5 — One of the most honest, most skillfully written, and most important memoirs of its decade — a book about family abuse, industry exploitation, and the specific courage required to see your childhood clearly.

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