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The Sympathizer

by Viet Thanh Nguyen · Grove Press · 371 pages ·

4.2
Editors Reads Rating

A communist spy embedded in the South Vietnamese army narrates his journey from the fall of Saigon through Los Angeles exile to reeducation camp, examining what it means to be perpetually between worlds.

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Editors Reads Verdict

The Sympathizer is a Pulitzer Prize-winning novel that does something American literature about the Vietnam War had never quite managed: gives the war a Vietnamese perspective, through a narrator whose double-consciousness encompasses both the communist North and the capitalist South, both Vietnam and America. Nguyen's prose is furious and precise, his narrator unreliable in precisely the ways the novel needs.

4.2
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What We Loved

  • The double-agent narrator is one of contemporary fiction's most original voice constructions
  • Nguyen's critique of American cultural imperialism, including Hollywood's treatment of Vietnam, is biting and specific
  • The prose has a quality of controlled fury that is sustained across 371 pages without flagging
  • The novel gives Vietnamese interiority to a war that American literature has treated from the outside

Minor Drawbacks

  • The reeducation camp sections in the novel's final third are harrowing and deliberately difficult
  • The narrator's sustained irony can create emotional distance
  • Some readers will find the didactic elements overwhelming the narrative

Key Takeaways

  • To be of two cultures is not to be fully of either — and this double-consciousness is both burden and analytical gift
  • American cultural imperialism operates through representation as much as through military force
  • The Vietnam War has been narrated primarily by Americans who did not understand what they were fighting in or for
  • Trauma does not end with the event — it continues in exile, in reeducation, in the impossibility of returning
  • The sympathizer's gift is the ability to see every side; his curse is having no side to stand on
Book details for The Sympathizer
Author Viet Thanh Nguyen
Publisher Grove Press
Pages 371
Published April 2, 2015
Language English
Genre Literary Fiction, Historical Fiction, Spy Fiction
Difficulty Advanced
Best For Literary fiction readers, those interested in the Vietnam War from a non-American perspective, and readers seeking fiction that examines the relationship between cultural imperialism and representation.

The Other Side of the Vietnam War

American literature about the Vietnam War is voluminous: The Things They Carried, Apocalypse Now, Full Metal Jacket, Born on the Fourth of July. What these works share, in addition to their literary merit, is their perspective: American. The Vietnamese are background, are enemy, are victims — but they are rarely the subjects of their own experience.

Viet Thanh Nguyen’s debut novel corrects this absence with furious precision. The narrator of The Sympathizer is a communist sleeper agent embedded in the South Vietnamese army, a man of mixed race (Vietnamese mother, French father) who embodies the double-consciousness of a country colonized by France, invaded by America, and divided against itself. He is, in the fullest sense, a sympathizer — someone who can see every side, which means he belongs to none.

The Voice

The novel is structured as a confession — literally, a document written under interrogation at a communist reeducation camp, addressed to the Commandant. This framing gives the narrator’s irony its full double edge: he is simultaneously confessing to his communist handlers and confessing to the reader something that his handlers cannot see. The voice that emerges is among contemporary fiction’s most distinctive: intellectual, self-aware, furious, and chronically self-undermining.

Hollywood and Cultural Imperialism

The novel’s most biting section involves the narrator’s work as a cultural consultant on a Vietnam War film being made in the Philippines — a thinly veiled Apocalypse Now analog. Nguyen’s critique of Hollywood’s representation of Vietnamese people (extras, bodies, silent sufferers in an American story) is delivered through specific, savage satire that makes the abstract charge of cultural imperialism viscerally concrete.

The Camp

The novel’s final section — the reeducation camp — is deliberately and successfully difficult, a portrait of ideological reprogramming that draws on specific historical accounts and asks the reader to sit with the horror of what was done in the name of liberation.

Our rating: 4.2/5 — A Pulitzer Prize-winning novel of genuine moral fury that finally gives the Vietnam War a Vietnamese perspective, through a narrator whose double-consciousness is both the novel’s central achievement and its most emotionally complex device.

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