Editors Reads

Best Classics Books

272 expert-reviewed books — page 4 of 12

Of Mice and Men book cover
Bestseller

Of Mice and Men

by John Steinbeck

4.5

Two itinerant ranch workers in Depression-era California — the clever George and the big, gentle Lennie — share a dream of their own land that the world will not allow them to reach.

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The Good Earth book cover
Bestseller

The Good Earth

by Pearl S. Buck

4.4

Pearl S. Buck's Pulitzer Prize–winning epic follows Wang Lung, a poor Chinese farmer, from his wedding day through poverty, famine, and hard-won wealth, tracing the rise and moral cost of a family bound to the land across a time of vast upheaval.

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The Sun Also Rises book cover
Bestseller

The Sun Also Rises

by Ernest Hemingway

4.4

American expatriates and British socialites drink their way through Paris and Pamplona, orbiting around the love that Jake Barnes and Lady Brett Ashley cannot consummate.

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The Catcher in the Rye book cover
Bestseller

The Catcher in the Rye

by J.D. Salinger

4.3

Holden Caulfield, expelled from his fourth prep school, wanders New York for three days before a breakdown — narrating his alienation with an intensity that defined adolescent literary voice.

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On the Road book cover
Bestseller

On the Road

by Jack Kerouac

4.1

Sal Paradise and Dean Moriarty — alter egos of Kerouac and Neal Cassady — drive back and forth across America in search of sensation, connection, and the meaning of the American road.

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A Christmas Carol book cover

A Christmas Carol

by Charles Dickens

4.9

Ebenezer Scrooge, a cold and miserly businessman, is visited by three spirits on Christmas Eve and given the chance to confront his past, his present, and a terrible possible future. The most beloved Christmas story ever written — and a genuine literary fable about the possibility of redemption.

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Anna Karenina book cover

Anna Karenina

by Leo Tolstoy

4.9

Anna Karenina abandons her respectable life for a passionate affair with the dashing Count Vronsky — and both are destroyed by the collision between private desire and social convention. Tolstoy's great novel of passion and consequence contains the most famous opening sentence in fiction.

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Pride and Prejudice book cover

Pride and Prejudice

by Jane Austen

4.9

Elizabeth Bennet and Fitzwilliam Darcy clash on every point of pride and principle — and fall irrevocably in love. Austen's most beloved novel is a razor-sharp comedy of manners and one of the great love stories in the English language.

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The Brothers Karamazov book cover

The Brothers Karamazov

by Fyodor Dostoevsky

4.9

Three brothers — the sensualist Dmitri, the rationalist Ivan, and the saintly Alyosha — are bound together by the murder of their corrupt father. Dostoevsky's final and greatest novel asks the hardest question: if God does not exist, is everything permitted?

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Alice's Adventures in Wonderland book cover
4.8

Alice follows a White Rabbit down a rabbit hole and falls into Wonderland — a world where size is unstable, logic is inverted, authority is arbitrary, and language itself has become unmoored from meaning. Carroll's 1865 masterpiece is ostensibly a children's fantasy but operates simultaneously as linguistic philosophy, dream narrative, and one of the strangest and most sustained acts of imagination in the English literary tradition.

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Crime and Punishment book cover

Crime and Punishment

by Fyodor Dostoevsky

4.8

Raskolnikov, a destitute former student in St. Petersburg, murders a pawnbroker to test his theory that extraordinary people are above conventional morality — and then spends the rest of the novel being destroyed by his own conscience. Dostoevsky's most accessible masterpiece is the definitive novel about guilt.

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Great Expectations book cover

Great Expectations

by Charles Dickens

4.8

Pip, an orphan boy raised by a fearsome blacksmith's wife, is elevated by a mysterious anonymous benefactor and sent to London to become a gentleman. Dickens's most personally felt novel is a meditation on class, ambition, and the painful cost of social aspiration.

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Jane Eyre book cover

Jane Eyre

by Charlotte Brontë

4.8

Jane Eyre — orphaned, plain, passionate, and morally unyielding — survives a punishing childhood to become governess at Thornfield Hall, where she falls in love with the fierce, sardonic Mr Rochester, whose dark secret haunts the upper floors. Brontë's first-person novel, with its direct, confrontational address to the reader and its heroine's ferocious insistence on her own inner worth, fundamentally changed what heroines in fiction were permitted to be.

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Joseph and His Brothers book cover
4.8

Mann's four-volume retelling of the Joseph story from Genesis — sixteen years in the writing — treats the biblical narrative not as sacred history but as myth that characters know they are living inside. The most sustained act of literary ambition of the twentieth century.

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King Lear book cover

King Lear

by William Shakespeare

4.8

An ageing king divides his kingdom between his daughters based on their professions of love, disowns the one who refuses to flatter him, and descends into madness on the heath while his kingdom fractures around him. King Lear is Shakespeare's greatest tragedy — the most philosophically ambitious, the most emotionally devastating, and the most resistant to consolation.

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Les Misérables book cover

Les Misérables

by Victor Hugo

4.8

Jean Valjean, paroled after nineteen years in prison for stealing a loaf of bread, spends the rest of his life pursued by the relentless Inspector Javert while trying to become a better man. Hugo's vast novel about poverty, redemption, and the Paris barricades of 1832 is one of the most epic and emotionally overwhelming novels ever written.

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Little Women book cover

Little Women

by Louisa May Alcott

4.8

The four March sisters — Meg, Jo, Beth, and Amy — come of age in Civil War-era New England, each navigating the tension between social expectation and personal aspiration in Alcott's masterpiece about ambition, sisterhood, and growing up.

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Persuasion book cover

Persuasion

by Jane Austen

4.8

Anne Elliot, at 27, is considered past her prime — but the man she loved and lost eight years ago has returned. Austen's final completed novel is her most emotionally mature, trading wit for a quieter, more aching register.

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The Count of Monte Cristo book cover

The Count of Monte Cristo

by Alexandre Dumas

4.8

Edmond Dantès is wrongly imprisoned, escapes after fourteen years, acquires a vast fortune, and returns to Paris as the mysterious Count of Monte Cristo to execute a perfectly planned revenge on those who destroyed his life. Dumas's epic is the greatest revenge story ever told — intricate, theatrical, and utterly compelling.

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The Importance of Being Earnest book cover
4.8

Two young men have invented fictional alter egos to escape social obligations — Jack Worthing has invented 'Ernest' in town, and Algernon Moncrieff has invented a sickly friend 'Bunbury' in the country. Wilde's masterpiece of comic drama is the funniest play in the English language, a vehicle for some of the most memorable epigrams ever written, and beneath the surface glitter a perfectly constructed satire of Victorian earnestness, sincerity, and the institution of marriage.

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